Week 5

This week for 52 Films by Women, I watched Gayle Kirschbaum's A Dog's Life, a documentary about her relationship with her dog. It's an interesting documentary...Not quite what I expected after spending a weekend learning how to dogsled. (So many puppies). The basic premise of the documentary is that she is off to find a husband for herself and the dog. She does take us to some interesting places including a fancy dog spa that includes a pool. I can only imagine how my dog would react if we put hiim next to the water. There was also a pretty amusing scene when Gayle K. has a casting call for doubles for her Shih Tzu. Amazing to know that there are crazy dog owner divas out there.

The doc really finds it's heart towards the end. During the filming of the documentary, 911 happens and Gayle realizes the potential healing power of the dog. Chelsea becomes certified and they go to hospice and provide much needed comfort. That part of the film really moved me.

That's all for now!

New Recorder!

This past week I got a new recorder. It’s a Tascam DR-05. After the Vocalo Storytelling Workshop, it was clear that if I was serious about audio documentaries, I should upgrade my recorder. Just to give you all an idea about the difference, here’s a photo between my old recorder Athena and my new recorder Aiode. Just a tiny difference, no?

Recorders

 

I will use both since Athena still works and it’s always good to have a backup. But I’m very excited to have this recorder. I’ve already played around with it, wandering through an empty church and I like what I hear. I’m much more sensitive to noise opportunities. Plus Third Coast International Audio Festival’s Short Docs competition is on right now. They are partnering with one of my favorite performance groups, Manual Cinema, this year. The general idea is to use the recorder like a camera. (And they have specific rules on their website). Very challenging. Still working out what I’ll do this year. So stay tuned for that.

 

Upcoming events: 

Meida Teresa McNeal and the rest of Honey Pot Performance are putting on Ma(s)king Her at the Jay Pritzker Pavilion on 4/14 to 4/16. For more information, check the website: http://honeypotperformance.com/projects/masking-her/

Other News:

This movie Signature Move: Life, Love and Lady Wrestling sounds like a great thing to support. 

Brief synopsis:

"Signature Move is an indie romantic comedy meets coming-of-age feature film about a Pakistani-Muslim-lesbian named Zaynab, who lives in Chicago taking care of her conservative-but-sweet TV-obsessed mother. A mother she keeps secrets from. The film is set in Chicago, because a Chicago summer is a beautiful time to fall in love. And Zaynab does fall in love with Alma (secret #1), a smart, bold Mexican woman with whom Zaynab connects across culture, food, AND WRESTLING because as Zaynab is learning professional-style wrestling (secret #2), Alma tells her that her grandmother used to be a Lucha Libre wrestler back in Mexico when she was young."

If you can, please support. It sounds like a wonderful movie. You can support it here: https://www.indiegogo.com/projects/signature-move-life-love-lady-wrestling--4#/

That’s all for now!

 

 

 

Nancy Savoca's Film Archive

Last week, I saw this article pop up on my Twitter feed: http://tinyurl.com/h2fnl43

How exciting! Nancy Savoca, movie director, gave her personal film archives to the University of Michigan's Mavericks and Makes Indie Film Collection. Other film notables include Orson Welles and Robert Altman. Great company. For those of you unfamiliar with Nancy Savoca, she directed 24 Hour Woman, True Love, and the HBO Mini-series If These Walls Could Talk

This archival addition is really welcome news. Nancy Savoca was the subject of my first SWAN day back in 2009, when I began working with Jan Lisa Huttner, film critic extraordinare. We wanted to screen her work 24 Hour Woman with Rosie Perez, a comedy about a woman trying to have it all. It proved foundational to WITASWAN (Women in the Audience Supporting Women Artists Now) and SWAN Day. Read here on Jan Lisa Huttner's blog: http://www.films42.com/witaswan.asp#_born

The idea for SWAN Day events was that we'd screen the film and then have the director talk about her work and answer a Q&A. We couldn't screen it because we couldn't find a copy to screen in the theater. We even appealed to Nancy Savoca and she said that she didn't have a master copy (or whatever you call the reel version of a film). What a reminder about why SWAN Day and all these efforts to support women in the arts are so important. So it really warms my heart that Nancy Savoca's personal film archive will be available for future generations.

And for those of you who wondered, we ended up screening True Love and had a great event with Nancy Savoca. So all was not lost. 

And now, you can watch it at home here:  http://gowatchit.com/movies/twenty-four-hour-woman-13319

 

Happy New Year!

It's been a few weeks since i've last posted. The great news is that I have completed 52 interviews by the year's end. I've been working on this project since July 2014 with the intention of only doing one interview a month. Clearly, that fell by the wayside.

I just want to reiterate how lucky I am for all the women who have taken the time to meet with me and share their thoughts and stories about their work and lives. People have been so generous with their time and sometimes their homes and studios. I already knew that Chicago was filled with amazing people but I'm so thankful to have it reaffirmed over and over again. Thank you to all the participants!

For those of you wondering about the timeline of the project, I am nearing the end of the interviews. I had originally thought that I would continue interviewing until June 30, 2016 but I don't want a 500 page book. Now, I envision stopping around 60 interviews. So yes, the research stage is near an end. Once I finish the interviews, I'll work on getting everything transcribed; I have some transcriptions completed. And then, the grand work of editing interviews for the book is next. 

So stay tuned!

Also this news about Sundance directors is exciting. Not 50% but the numbers are moving in the right direction.

http://blogs.indiewire.com/womenandhollywood/sundance-2016-competition-lineup-unveiled-over-40-directed-by-women-20151203

Other News

In the Chicago Tribune this week, there is an exciting article about liftUPTlift, a online global marketplace, that gives women entrepreneurs the opportunity to sell their jewelry and other products. It's a neat idea to encourage consumers to purchase goods made by women from all over the world. They are also trying to promote Women Owned Wednesday to support women shoppers and makers all over the world the day before Thanksgiving!

This fits well with the whole purpose underlying WITASWAN (Women in the Audience Supporting Women Artists Now). Be aware of what media you are consuming. Or who makes what you are purchasing. 

You can read more about it here: http://www.chicagotribune.com/lifestyles/stevens/sc-gift-guide-corielle-heath-liftuplift-2015-20151110-column.html

Here is the website: http://www.liftuplift.com/

In the New York Times Magazine, Maureen Dowd wrote an amazing article about the gender disparities in Hollywood. You should definitely check it out. Thanks to Jan Huttner for the article.

Read it here:

http://www.nytimes.com/2015/11/22/magazine/the-women-of-hollywood-speak-out.html

A Beautiful Summer Day Talk with Zsofia Otvos

I recently completed the 25th interview with Zsofia Otvos in mid-June. Zsofia Otvos is a painter and makeup artist extraordinaire, who has worked on movies like Divergent, TV shows like Sirens, and as the resident makeup artist for Chicago theater Trap Door Theatre.

I asked how she would define herself as an artist. She explained: “I call myself a character maker. What I’m most interested in both makeup and painting is creating characters, bringing something from nothing, and making it happen. In terms of makeup, that might be part of the storytelling, maybe there’s an arch in the story when the character becomes super happy, then gets very depressed, so on. Maybe I can alter his foundation, maybe his eyebrows I can manipulate. I like to do those subtle differences that will read slightly differently on camera.”

“In my visual art, in my paintings, my process and ideas are different because obviously they’re coming from my own inspirations. Lately, they are spur of the moment experiences. So that might be: I saw someone at the airport, or a coffee shop, wherever I may have seen them, I often sketch them right away. That may or may not become an actual painting. Once they do, I start recreating some of the characteristics in forms of sketches: Maybe the body position was very particular that I need capture or maybe their hairstyle, something that is very characteristic. The features are absolutely not important to me. The features are the result of something else. And it’s really the spirit of the experience that I am interested in capturing. That’s how I create character. I’m just a character maker.”

Later we talked about her work at the Trap Door Theater. She explained, “These tiny things can really be a big impact...I feel I don’t actually design the makeup. I just put on what’s missing. Because the [actors] are so expressive in their movement, I don’t feel like I do it; I’m just putting on what is 'already there' thru their expression. The [actors] are not visual artists, so they don’t see what is not there…..“How can you not see it?” (I wonder)…we just have different tools. They use their body and voice… for the same end I use colors and shapes. I’m not doing much at all... I feel like a bit of a cheater.  So, it is a lovely moment for me, when, for example, actor Marzena Bukowska said, ‘I got my character now.’ How are you telling me that? Your character is already so finished, so complete.

“But that’s a very good experience and reminder that my job is to help the actors arrive to who they need to be, whatever that is. It’s not so such about the makeup, their facial expression and body movement will always be more expressive than my work. But sometimes when the actor looks in a mirror, it is my work that may help them get to that point. An ignition key.”

You’ll have to stay tuned for the rest of this wonderful interview.

Check out her fine art: www.zsofiaotvos.com,

Check out her work in makeup: www.madeupfaces.com